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Il Trovatore
by Giuseppe Verdi



Dates & Locations

Friday and Saturday, March 20 and 21
7:30 p.m. each night
Camp Hill United Methodist Church
417 S. 22nd
Camp Hill, Pa., 17011

Sunday, March 22
4 p.m.
Covenant Moravian Church
901 Cape Horn Rd.
York, Pa., 17402

Saturday, March 28
7:30 p.m.
Stage One Performing Arts Center
101 Plush Mill Rd.
Wallingford, PA, 19086

$10- Student
$20- Adult
Cash and Checks only
Available at the door



Part One, The Duel: The story takes place in the Spanish kingdom of Aragon, early in the 15th century. Spain is embroiled in a civil war. The opera opens as an old soldier named Ferrando tells his troops about the sad family history of their commander, Count di Luna. The count had an infant brother. One night, the baby's nurse woke up to find a gypsy lurking over the cradle. When the child became sick soon afterwards, the gypsy was blamed, and the Count had her burned at the stake. As she was dying, she urged her daughter to take revenge. So the daughter kidnapped the infant and, according to Ferrando, burned him at the very stake where her mother died. That's the story, anyway. But the Count, Ferrando says, hopes his brother might still be alive.

The following scene is in a palace garden. The aristocrat Leonora tells her lady-in-waiting, Inez, that she's in love. Leonora says she went to a tournament, and fell for a brave young knight whose face remained hidden behind his armor. His name is Manrico. She hasn't seen him since, but sometimes she hears him singing serenades beneath her window. The Count di Luna arrives to court Leonora. At the same time, Manrico begins another serenade. The Count is jealous, and challenges Manrico to a duel.

Part Two, The Gypsy: In a gypsy camp, everyone is at work, singing the famous "Anvil Chorus." Azucena nurses her son, Manrico, who is wounded. She tells the story of her mother, who was blamed for a young boy's death and burned at the stake. Azucena says she then kidnapped the boy's infant brother, intending to burn him in revenge. Manrico is horrified when Azucena goes on to say that, in her delirium, she mistakenly grabbed her own baby and flung him into the fire.

Distraught by this gruesome memory, Azucena makes Manrico swear to take revenge on Count di Luna. He says that he was once in a position to kill the Count in battle, but something — a voice — made him stop. His story is interrupted by a messenger, bringing news that Leonora has been told that Manrico is dead. In despair, she has decided to enter a convent. Manrico rushes off to stop her. Meanwhile, Count di Luna has also learned of Leonora's plans. He's waiting outside the convent, planning to kidnap her, when Manrico arrives and intervenes. His men overpower Count di Luna while he and Leonora escape.

Part Three, The Gypsy's Son: The Count is ready to attack the castle where Manrico and Leonora are hiding. Then, the old soldier Ferrando enters, with Azucena. He found her snooping around the camp, and has brought her to the Count. Ferrando recognizes Azucena as the very woman who kidnapped and, he thinks, murdered the Count's infant brother many years ago. Count di Luna orders her burned at the stake, just as her mother was.

Inside the castle, Manrico and Leonora are preparing to get married when they learn that Azucena has been captured and condemned. They can all see the pyre in the distance, already burning. Manrico and his men rush off to save her, as Manrico sings the brilliant aria, "Di quella pira".

Part Four, The Execution: Manrico is now a prisoner of Count di Luna. To save him, Leonora offers herself to the Count in exchange for Manrico's freedom. When the Count agrees, she secretly swallows poison and rushes to the prison cell where Manrico and Azucena are trying to comfort each other.

Leonora tells Manrico that the Count has agreed to his release, and that he should flee. Manrico wonders out loud what Leonora did to win the Count over. When Leonora breaks down and tells him, he denounces her. But the poison has already started to take effect and Manrico watches helplessly as Leonora dies.

The Count arrives and realizes what has happened. He orders Manrico to be put to death. Azucena watches as Manrico is led to the executioner's block. Just as the ax falls, she turns to the Count and cries out that her mother has finally been avenged. "You," she tells him, "have just killed your own brother." Throughout the opera, Azucena has seemed devoted to Manrico. But she's also been leading him to this end the entire time. It's only now, as he's beheaded, that she finally seems triumphant.


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